Book
Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century. New York: Oxford University Press, October 2013.
Articles and Chapters
鈥淭ouring the Screen: Cinematic Resonances of Diaghilev鈥檚 Ballets Russes,鈥 American Music 39, no. 4 (Winter 2021): 468-493.
With Samuel N. Dorf, 鈥淭he Ballets Russes in America,鈥 American Music 39, no. 4 (Winter 2021): 399-408.
鈥淔inding Meaning in Intermedial Gaps,鈥 in Beyond Media Borders: Intermedial Relations among Multimodal Media, edited by Lars Ellestr枚m. Palgrave-Macmillan, 2020.
鈥 鈥楢dding to the Pictures鈥: The American Film Prologue in the 1920s,鈥 American Music 37, no. 1 (Spring 2019): 1-28.
鈥淰isualizing Music in the Silent Era: The Collaborative Experiments of Visual Symphony Productions,鈥 Journal of the Society for American Music 12, no. 1 (February 2018): 2-36.
鈥淒ance Pictures: The Cinematic Experiments of Anna Pavlova and Rita Sacchetto,鈥 Screening the Past 40 (September 2015).
鈥淎 Different Kind of Ballet: Rereading Dorothy Arzner鈥檚 Dance, Girl, Dance,鈥 in Mediated Moves: A Popular Screen Dance Reader, edited by Melissa Blanco Borelli. New York: Oxford University Press, 2014.
鈥淒ancing the Future, Performing the Past: Isadora Duncan and Wagnerism in the American Imagination,鈥 Journal of the American Musicological Society 65, no. 2 (Summer 2012): 511-555.
鈥淪creening the Diva,鈥 in The Arts of the Prima Donna in the Long Nineteenth Century, edited by Hilary Poriss and Rachel Cowgill. New York: Oxford University Press, 2012.
鈥淐reating Knowledge: Feminist Scholarship as Activism,鈥 in Leading the Way: Young Women鈥檚 Activism for Social Change, edited by Mary K. Trigg. New Brunswick: Rutgers University Press, 2009.
鈥淭he Call of Salome: American Adaptations and Recreations of the Female Body,鈥 Women and Music 11 (2007), 1-16.
Catalog Essays
鈥Ballettens Datter (1913): Rita Sacchetto,鈥 Le Giornate del Cinema Muto Catalogue, Limited 39th Edition, 2020, 41-44.
Reviews
Review of Marian Wilson Kimber, The Elocutionists: Women, Music, and the Spoken Word (Urbana: University of Illinois Press, 2017). Journal of the American Musicological Society 72, no. 1 (April 2019): 251-255.
Review of Carrie J. Preston, Modernism鈥檚 Mythic Pose: Gender, Genre, Solo Performance (New York: Oxford University Press, 2011). Dance Chronicle 36 (2013): 118-122.
Review of Annie J. Randall and Rosalind Grey Davis, Puccini and the Girl: History and Reception of The Girl of the Golden West (Chicago, University of Chicago Press, 2004). Notes (August 2006): 110-112.
Review of Maria Pini, Club Cultures and Female Subjectivity: The Move from Home to House (New York: Palgrave, 2001). Women and Music 8 (2004): 86-92.
