含羞草研究所

Margaret Darby

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Margaret Darby

Associate Professor of Writing and Rhetoric, Emerita

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Writing and Rhetoric

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In both my teaching and my scholarship, I always try to understand better the difference that language itself makes, how it mediates between intention and meaning. 

I want to teach students who feel a strong impulse to discover what they mean when they write and, further, what they really mean when they revise what they have written.

This attention to language finds more specific expression in my scholarly work on 19th-century metaphors of femininity and their relation to women鈥檚 lived experience in the Victorian Age. One scholarly path is to garden history, especially metaphors of a space like the glassed-in garden conservatory, as portrayed in horticultural history, women鈥檚 history, literature, and art. I follow another scholarly path of women in the life and writings of Charles Dickens. I present my work at conferences on Dickens and Victorian Studies in the United States and Britain.

  • BA, Smith College, 1967
  • MA, Stanford University, 1968
  • PhD, SUNY Binghamton, 1988
  • Rhetoric and composition
  • Victorian studies
  • Women's studies, especially language and gender

Ideologies of femininity in Victorian studies 鈥 women characters in Dickens's novels and their connections to his biography; cultural metaphors of femininity in garden history; feminist pedagogy in the composition classroom

  • 鈥淭he Conservatory at Gad鈥檚 Hill Place,鈥 Dickens Quarterly 26 (September, 2009): 137-150
  • 鈥淯nnatural History: Ward鈥檚 Glass Cases,鈥 Victorian Literature and Culture 35 (2007): 635-647
  • 鈥淛oseph Paxton鈥檚 Water Lily,鈥 Bourgeois and Aristocratic Cultural Encounters in Garden Art: 1550-1850. Dumbarton Oaks Colloquium on the History of Landscape Architecture XXIII. Ed. Michel Conan. Washington DC: Dumbarton Oaks, 2002. 255-283
  • 鈥淒ickens and Women鈥檚 Stories: 1845-1848 (Part Two), Dickens Quarterly 17 (September, 2000): 127-138
  • 鈥淒ickens and Women鈥檚 Stories: 1845-1848 (Part One), Dickens Quarterly 17 (June, 2000): 67-76. Reprinted in Dickens, Sexuality and Gender. Ed. Lillian Nayder. Ashgate, 2012. 387-397
  • 鈥淟istening to Estella,鈥 Dickens Quarterly 16 (December, 1999): 215-229
  • 鈥淭he Conservatory in St. John鈥檚 Wood,鈥 Seductive Surfaces: The Art of Tissot. Ed. Katharine Lochnan. London: Paul Mellon Centre for British Art and Yale UP, 1999: 161-184
  • 鈥淒ora and Doady,鈥 Dickens Studies Annual 22 (1993): 155-169
  • 鈥淔our Women in Our Mutual Friend,鈥 The Dickensian 83 (Spring, 1987): 24-39
  • Book Reviews for Dickens Quarterly, Victorian Studies, The Gaskell Society Journal
  • Fellow, Studies in Landscape Architecture, Dumbarton Oaks, Washington, D.C., September 2002-May 2003
  • Summer Fellow, Studies in Landscape Architecture, Dumbarton Oaks, Washington DC, 2000
  • Prize-winning dissertation in the Humanities, SUNY Binghamton Commencement, May 1988